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Black Republic of Letters

Note - Victorien Sardou

Victorien Sardou (1831-1908) was a French dramatist. Learn more about Victorien Sardou.

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News & Rumours
Reverend Father Dorgère, of the Congregation of African Missions, provisional chaplain of the expeditionary force in Dahomey, is appointed Knight of the Legion of Honor (for exceptional service: mission in Dahomey).

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It seems that Cleopatra, Sardou's new play, currently in rehearsals at the Porte-St-Martin, has already been parodied. The Théâtre Déjazet has announced that it will be staging Cleopatra of Italy, by Jules Jouy and Georges Rolle.

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General de Kaltemborn has been appointed Minister of War of the German Empire, replacing General Verdy du Vernois, who has resigned.

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At the request of the French government, the Vatican has just established an apostolic vicariate for the Oubangui mission in the Congo.

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The publication of a previously unpublished novel by Alphonse Karr has been announced, reportedly titled Helene. It is said to be one of the most intriguing and original works to come from the pen of this writer.

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Vienna, 9 October — A committee has been formed to organize a universal exposition in Vienna in 1895.

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Admiral de Cuverville was authorized to send back to France the marine infantry and riflemen who were stationed in Kotonou and Porto-Novo.

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Cardinal Lavigerie arrived in Rome on the 9th and was received the following day by the pope, with whom he had a long conference.

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At a recent convention of ten thousand believers held in Salt Lake City, the Mormons abolished one of their sect's most famous dogmas: polygamy. The United States, it seems, was determined to use force if the Mormons did not repeal this Mohammedan article of their civil and religious code. They gave in to threats of force, calling on God for this supreme insult that kills them morally, as a people apart.

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The German textile industry has been severely affected by the McKinley Tariff Act. Many textile workers are out of work.

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The Anglo-Italian negotiations on the African question have failed to reach a conclusion. This fact, considered a painful setback for Italian diplomacy, has caused deep emotion in Rome.

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All the Paris newspapers had announced that, on the occasion of Lamartine's centenary, which the city of Mâcon is to celebrate with great pomp on October 18, the artists of the Comédie-Française would perform an act from Toussaint Louverture, the only play written by Lamartine.

This idea has been abandoned. It is difficult, in fact, for the artists of the Français to study a play that is only to be performed once.

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At an initial meeting held last Saturday, the 10th, the founders of the American Students in Paris club drafted and voted on the organization's bylaws. The undertaking is much smaller than we had thought; almost all of the members are students of Spanish origin. It will be a small, exclusive club, and its official language will be Spanish.

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The international artistic and literary congress, which we announced some time ago, will be held on the 6th at Mansion House, under the chairmanship of Mr. Ratisbonne.

An amendment to the Berne Convention was adopted by acclamation, stating that translation is merely a form of reproduction, and that the right of reproduction, which constitutes property, necessarily includes the exclusive right of translation.

It was decided that newspaper articles—except for political articles and information items—would be treated in the same way as other literary works.

The next Congress will take place in Berlin.

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A mass will be celebrated on October 16, at 10:30 a.m., at the Madeleine Church, for Marie-Antoinelle's birthday.

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Obituary:
Mistress Catherine Booth, wife of the founder of the Salvation Army, died on the 7th in England from cancer, which had been afflicting her for some time.

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Related articles:
The Theatre
At the Comédie Française
Reprise of Le Duc Job, comedy in four acts in prose, by Léon Laya.

This play that, we are told, previously had (around 1859) a long popularity and counted as many as three hundred showings, now seems a bit outdated and old-fashioned. Some scenes in the second act still grab the spectator by the intensity of their situations, but more often the characters break into tiring monologues.

Jean, the Duke of Rieux, is nicknamed Duke Job because of his poverty. The Duke, according to the author, is "not much to look at"; he joins the Army in Africa, a young man's fantasy, to see Kabylia, "at the State's expense." Frank, loyal and generous, he cannot marry his cousin Emma, whom he adores, because Emma will not make do with an income of six thousand livres. And, although sometimes dreaming of her cousin, she is firmly resolved only to accept a man who can give he cars, horses, and all the luxuries proper for a great lady. A miracle occurs: Duke Job inherits four million. He marries the one he loves.

Reduced to this brief analysis, the data of Le Duke Job are absolutely those of Roman d'un jeune homme pauvre, published in 1857 by Octave Feuillet. But between the two plays there is a capital difference; Octave Feuillet surrounded his poor young man with a poetic and romantic setting, lending him the full charm of his delicate style. Léon Laya, conversely, preferred to keep his Job in the down-to-earth of an incredible vulgarity. The Duke is clearly a brave young man; but to judge him by his language—although he has taken classes—one would think he grew up in a caretaker's lodge. His conversation is peppered with trivial expressions, whose rudeness often competes with the incorrect usage of terms. His uncle the Marquis, his cousin Emma, his Aunt Madame David speak, furthermore, in the same idiom.

However, as was said earlier, Le Duc Job a few qualities of interest and of sentiment, which are essentially concentrated in the two characters of Duke Jean and his cousin Emma, finally pulled away from the material preoccupations by the power of sentiment that began vaguely glimpsed but that grew from act to act. This delicious role of a young girl sustains the play from one end to the other.

For that matter, the play, originally, was only launched because of a superior rendition. The posters of the era had, in effect, united the names of Provost, Got, Monrose, Worms, Barré and Talbot, and of Mrs. Nathalie and Mrs. Emily Dubois. This is still the rendition that was paid homage, the other night, at the Français.

Got, originator of the role of Jean, has taken up the role of the Maquis, created by Provost, from whom he borrowed a mocking bonhomie devoid of aristocratic pretensions. Mr. de Féraudy—Got's student—by force of verve and spirit, made the most of the Duke character, who is very difficult to reproduce.

As for the role of Emma, it was the opportunity for a great triumph for Miss Reichemberg, charming in grace and sparkling in cunning. Those who heard the incomparable ingenue eighteen years ago could only point to one difference: the substitution of a red dress for the white one of old.

The secondary characters are sustained by the talent of Messrs. Boucher, Garraud, Joliet, Roger, Samary, and by Mrs. Céline Montanans, excellent as Madame David.
At the Porte Saint-Martin
Mr. Victorien Sardou has begun directing rehearsals of Cléopatre, his new play.

It is known that in this drama—as in the legend—Cleopatra (Sarah Bernhardt) must die in a scene after being bitten by an asp. It seems that, with this scene in mind, the great artist spent six months familiarizing herself with snakes. There is, in the forest of Fontainebleau, a variety of snake that resembles an asp, but that is not dangerous. Sarah Bernhardt now always has one of these snakes at her house, which she sometimes wears around her wrist like a bracelet.

This winter, the Asp of Sarah Bernhardt will be in fashion. We expect to see it in all forms: chains, bracelets, charms, collars and umbrella handles. Because, as Mr. Prud'homme noted, the serpent has always tempted the daughters of Eve.
Odéon
The first performance (reprise) of La Maitresse légitime, comedy in four acts by Louis Davyl, will take place today.
Opéra-Comique
Mantinées will recommence in this theatre next Sunday the 28th.
Cluny
Premiere of Madame Othello. The abundance of material forces us to put off the complete summary of this play until next week.
At the Gymnase
Final showings of Paris fin de siècle.

Thursday, 2 October, first showing of L'Art de tromper les femmes, comedy in three acts by Messrs. Paul Ferrier and Emile de Najac.

It is with this play that the Gymnase will start its matinées.

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Victorien Sardou