Curating the Story Museum: A Resource for EducatorsMain MenuIntroduction to Curating the Story MuseumBy Naomi Hamer and Ann Marie MurnaghanProject DescriptionProject DescriptionCurating the Story MuseumSummary Video of the ProjectUndergraduate and Graduate Research Assistants Research OutputsResearch Assistant CollaborationsUrban Children's BooksBy Quentin StuckeyMuseums during COVID-19: Opportunities for engagementResearched and written by Dana MitchellChildren's Museum and Story Sites in the Greater Toronto Area, Past and PresentBy Sabrina Pavelic, with Helena Wright and Elizabeth TherouxReviewing Dr. SeussBy Sabrina PavelicThe Royal Canadian Mounted Police Heritage CentreBy C. GunnExhibit reviews from our undergraduate collaboratorsReviews from Dr. Hamer's English 910: English Capstone SeminarResearch OutputsBook Chapter and Journal Articles produced over the course of the project.The hybrid exhibits of the story museum: The child as creative artist and the limits to hands-on participationBy Naomi Hamer (2019) Museum and Society, 17(3), 390-403.Exploring the Museum at Night: Young people’s Agency and Citizenship in Museum-Related Children’s Literature and ProgrammingBy Naomi Hamer and Ann Marie Murnaghan. In The Role of the Child as Citizen: Agency and Activism in Children’s Literature and Culture, edited by Giuliana Fenech. University of Mississippi Press.Global Children's MuseumsArt, Story and PlayAcknowledgementsSpecial thanks to all our CollaboratorsResources for ResearchCollection of Documents in this EbookAnn Marie Murnaghan and Naomi Hamer081b9a890206e558011a8c3bc15a99df3910cbdf
Ghibli Museum, 2019.
1media/IMG_221_thumb.jpeg2023-07-25T14:41:22-04:00Ann Marie Murnaghan and Naomi Hamer081b9a890206e558011a8c3bc15a99df3910cbdf1271Courtyard at Ghibli Museum, Mitaka, Japan. Photograph by Ann Marie Murnaghan.plain2023-07-25T14:41:22-04:00201907031639112019-07-03163911-0400Ann Marie Murnaghan and Naomi Hamer081b9a890206e558011a8c3bc15a99df3910cbdf
Children's story or book museums are distinctive venues for critical engagement with representations of childhood and childhood texts. Our research examines the children's story museum as a dynamic transmedia platform participatory exhibits and critical dialogue. Story museums are new additions to the children's museum field and as such relatively little research has engaged with these sites.
While many museum exhibits idealize childhoods, transmedia engagements have significant potential for critical and subversive dialogue with these constructions. Framed by participatory and activist museum movements, towards 'queering the museum' and 'decolonizing the museum', our project focused on the negotiation of youth citizenship through emerging technologies in museums.
We query how current children's museum exhibits focused on childhood texts and cultures present opportunities to negotiate, subvert, and/or reaffirm cultural discourses of childhood, nationalism, gender, race, sexuality, and ability. The research aims to harness the potential of transmedia storytelling with the invitation for critical dialogue with childhood discourses across media. While museum education has employed interactive media for visitor engagement, the inclusion of digital storytelling and transmedia practices for critical dialogue and intervention is relatively new. Drawing upon theoretical and methodological frames from museum studies and the field of children's media cultures, our project was designed to invite children to engage as collaborative curators in the transmedia design of a story museum exhibit using local archival collections including those from the Osborne Collection of Early Children's Books, and Toronto Metropolitan University's Children's Literature Archive, alongside the children's own stories and imagined narratives.