"Ododo Wa" Community DialoguesMain MenuAboutPage: offers information about funding bodies, the project's purpose, and its contributors.NavigationPage: this page includes the 4 navigation options the platform supports."Ododo Wa" means "Our Stories"Page: contains an introduction to Ododo Wa: Stories of Girls in War. It covers the background of the exhibit and its development and features annotated photos and audio recordings in English and Acholi.StoryMapStoryMapJS is a free open access tool developed by Northwestern University's Knight Lab to support online storytelling that highlights the locations of a series of events.The Traveling ExhibitPage: this page contains a photo of the traveling exhibit, audio recordings and text paired with artefacts in the exhibit.Perspectives and ResponsesThe beginning of the path through the perspectives and responses to the exhibit. This page includes place-based perspectives visualized by original illustrations paired with audio recordings in Acholi and EnglishYouTube: "Advocating for Justice and Reparations in Uganda"Video: This is an annotated YouTube video documenting a discussion panel in which Evelyn Amony, Grace Acan, and Isabelle Masson discuss the exhibit and advocating for justice and reparations in Uganda. The panel was held 24 October 2019 at the Moot Courtroom of Robson Hall, Faculty of Law building at the University of ManitobaMemoirsPage: an annotated YouTube video clip shows Grace Acan and Evelyn Amony discussing why they wrote their books. This page also includes external links to their memoirs.Sarah York-Bertram79c90f81cbadbcee036c97b91365eec227a9fa16Andrea Gonzáleze5fa090b1575dd90f2a290cf95178e9bea9f56baZhi Ming Sim557159ad867444cf6dde5f57a7a385a91bfaab8dhttp://csiw-ectg.org/
A typical LRA camp
12021-05-06T18:55:31-04:00Sarah York-Bertram79c90f81cbadbcee036c97b91365eec227a9fa16855Annotation: Grace Acan explains what the drawings depict: a typical LRA camp. Acan is speaking English in this audio recording. Transcript (by Patricia Trudel): " [...] you're seeing the huts. This also shows how LRA, like how the camp, LRA camp was like. So, within a camp, there was hum, the commander who was in the centre. They were like brigades, like four brigades that surrounded, and each brigade had a commander, and each commander had like soldiers who are surrounding, so it's like the setting, generally how the setting was in LRA. So, this like some of the top commanders you find names written there, like, this is so and so's name. This is commander so and so, so the way the setting in LRA, typical LRA camp was."plain2022-08-29T14:51:05-04:00Sarah York-Bertram79c90f81cbadbcee036c97b91365eec227a9fa16
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1media/DSC_0227_thumb.jpg2021-04-14T13:06:28-04:00Sarah York-Bertram79c90f81cbadbcee036c97b91365eec227a9fa16The Ododo Wa traveling exhibit4This photo of the exhibit was taken by Refugee Law Project during the exhibit launch at the Uganda National Museummedia/DSC_0227.jpgplain2021-05-06T18:54:53-04:00December 20190.3358518733508235, 32.58305110048957Refugee Law ProjectSarah York-Bertram79c90f81cbadbcee036c97b91365eec227a9fa16
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12021-04-16T15:38:09-04:00Grace Acan explains what the drawings represent1Audio: Grace Acan explains the meaning of survivors' drawings featured in the exhibit. media/Grace Acan on the drawings of huts and camp.mp3plain2021-04-16T15:38:09-04:00