Design Stories: Exploring Everyday ThingsMain MenuViking Roamer RM-315 RadioBlackberry Bold 9000CGE KE 860 Electric KettleGeneral Electric’s 1966 Mixer Gift SetTorcan 886P Desk FanBaby Champ 5110 RadioCGE Hair DryerNorthern Telecom DisplayphoneAmin Asgari, Jason Taylor, Jocelyn ZinSamson Dominion Ten-Ten HairsetterPedro Amaral, Markiyan Palisa, Maria PerriShayna Adivib7dacecf2514976340c9fee58413be50a837e99dMatteo De Sanctis2c7f0439bc7dbbce394cd0e83390508c4316e0f9Dylan Fleuelling724bd216cf74182c9eb4bf85f4606a9f90300f43Sanyukta Ghag97f13f26df5104f991a5c78bb41d5501520945a0Ipun Kandola03d267ee57ad9e450b2bdf7607c2a096f9e5b707Minjoo Kim49e4f45a5b4fbe8b16e096b51064bd70ed6cdfc2Jessica Lo7d943c8a531bf17a92d4ce73f45508d35571048bSam Loiselleb0bb424f55ffc54d35c4c41f04a27d6f1914a83aLuciana Loucel Morales3d71928b274e19c31fb29bde4fc89cfab59747ebShriya Mujumdar401f34f51ff8386c5fd4b09a5def6038ca96da55Binh Nguyen77159e04ccf5c117d1aafcf7d72182271cfe4379Madeleine North1716571a300e1e377a3f5a2800d66ac1abe953e4Hannah Palmier Blizzardb85a64743cf09ec2b4e0c037a864f93027666ab3John Emmanuel Sanchez33ea7858c1ccddd4c50514af2ce70aadfb85d654Veronika Straka4da98006d10b69194fdb4d8ffa5ee51bb82dc8e6Jersey Louise Stuart51967f8e0c22fbade42e8a48d7cf0a44ab625751Michelle Tieu6e71ec02b710e08ac76005bc08f9bbf8e71f73c6Shane Toyama9b06201b77bf32b849e009b2cbd92a7602c6bc69Kesha Upadhyay31af8fb220a8946dc1166ecfdd2597f5dd8d003cJillian Warneraab1e08d9b244e0aed9e36e52219fd40328c6753Amavi Weerakoon806c26de54e888d00f80819bd6ef5040b78ac4c6Jan Hadlawusers/jhadlaw1e125e7557d6dc997197c765699eef9bff624103
BC5110 Radio_WomenListeningRadio_01
1media/radio_thumb.jpg2025-03-27T16:10:37-04:00Deana Caetanoc465bfcc1787f6c918b9b6bc944055221b9cf17e1354Two women sitting and listening to the radio.plain2025-03-28T07:19:05-04:00Walter Havighurst Special Collections, the University Archives & Preservation. "“Western College: From Jazz to Disco." n.d. https://spec.lib.miamioh.edu/home/western-college-from-jazz-to-disco/.Deana Caetanoc465bfcc1787f6c918b9b6bc944055221b9cf17e
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1media/6225185.jpgmedia/1947-10-12-CBC-New-Look-In-Fashion.mp32025-03-25T20:38:19-04:00"Who's Listening to Me?"52plain2025-03-28T08:19:05-04:00The 1920’s to 1950s was often referred to as the Golden Age of Radio and the Baby Champ helped make radio ownership more common in homes, especially as portable models gained popularity. When the Baby Champ Radio was released it was marketed to consumers in Canada and America, through specific marketing and lifestyle approaches including those looking for practical functionality, connection, and a modern look.
Target Audience
Targeting primarily middle and working-class households, including families, workers, and home-owners, it offered a more affordable alternative that ranged from $25-35 compared to luxury floor models (Green Hills Great Finds, n.d), given that the average hourly wages for working-class individuals in the 1940s averaged from $0.52 to $1.29 (Canada 2008). The radio's functionality, connection, and accessibility made it a modern option to practical users, but also attractive to socially conscious buyers who valued portability and style. Additionally, it appealed to urban and rural audiences by granting access to international news they might have had little exposure to otherwise.
As radios became household staples in homes, workplaces, and social settings, the Baby Champ Radio reinforced the mid-20th-century shift toward mass-produced technology, bridging geographical and social divides. But ultimately, though popular for its art deco design and exciting range of colours, there is little data on how or where exactly the radio was sold to these consumers at the time as there are only a handful of ads for this radio.
The Role of Gender in Radio
There is speculation on whether or not this radio was gendered, as it may have appealed differently to men and women, largely due to social roles and expectations at the time. However, its core design—being functional and portable—would have made it broadly appealing to both genders. For men, it likely appealed to them through practicality, offering access to new technology, news and sports, especially in the post-WWII era. For women, the Baby Champ Radio was marketed as part of the home environment and was designed with aesthetic appeal in mind where women leaned towards the decor of the home. The playful “baby” branding may have been intended to soften its appeal for the domestic sphere in comparison to larger more industrial looking radios. In essence, the Baby Champ Radio Model 5110 was perhaps designed to appeal to a broad, cross-sectional audience as the Baby Champ wasn’t explicitly labelled a certain way and generally marketed as a household object, its design, size, and marketing likely made it more appealing to women and families. (Rutherdale 2020). This is also because of the lack of online presence this radio had, this idea is only suggested based on the context of the time.
Click below to listen to a 1947 CBC news recording! Then, explore the next page to learn about the cultural significance of the Baby Champ radio and its role in the home.